Mediator Dei 105

External participation is praised, as well as those who facilitate it:

105. Therefore, they are to be praised who, with the idea of getting the Christian people to take part more easily and more fruitfully in the Mass, strive to make them familiar with the “Roman Missal,” so that the faithful, united with the priest, may pray together in the very words and sentiments of the Church. They also are to be commended who strive to make the liturgy even in an external way a sacred act in which all who are present may share. This can be done in more than one way, when, for instance, the whole congregation, in accordance with the rules of the liturgy, either answer the priest in an orderly and fitting manner, or sing hymns suitable to the different parts of the Mass, or do both, or finally in high Masses when they answer the prayers of the minister of Jesus Christ and also sing the liturgical chant.

An interesting distinction is given between low Mass and high Mass, wouldn’t you say? First, participation in either form is praised, spoken and sung. Second, what do you think about the presumption of hymn-singing at Low Mass, and singing chant at high? If singing hymnody and contemporary liturgical songs caught on after the Council, with full approval of bishops and pastors, it would seem the thinking was that we were just retaining low Masses, just with more flexibility in terms of what could be done. And perhaps, for many communities, the High Mass was just altogether out the door. A liturgical “movement,” rather than a statement (necessarily) about musical style? What could have been done to avoid that? And would church musicians have been on board with the effort?

If you wish, consult Mediator Dei on the Vatican web site. A recent discussion on these paragraphs is here at the Chant Cafe.

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About catholicsensibility

Todd and his family live in Ames, Iowa. He serves a Catholic parish of both Iowa State students and town residents.
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One Response to Mediator Dei 105

  1. Liam says:

    The key was the clerics. Specifically, their willingness or reluctance to chant the orations and the dialogues (at this point in time, the Eucharistic prayer would not have been chanted).

    The propers-vs-hymns debate typically deals with third-order issues, precisely because the ordo (the ordinary plus presidential prayers and dialogues) is treated as functional wallpaper, a reversal of their order of importance.

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