I was feeling blocked on the central portion of the MR3 Gloria, so I jumped ahead to the end:
As I said before, my goal is to get the whole Gloria set to “Sweet Prospect” before settling on a final key and tackling the accompaniment. On the last post, Jonathan commented the high e’s might not be ideal for a congregation. I tend to agree.
Meanwhile, I’m wondering about that middle section acclaiming Christ. Is the Sweet Prospect melody sturdy enough to use? Or perhaps there should be a different melodic theme? Weigh in with your opinion and suggestions.