41. The effort should be made to ensure that the translations be conformed to that understanding of biblical passages which has been handed down by liturgical use and by the tradition of the Fathers of the Church, especially as regards very important texts such as the Psalms and the readings used for the principal celebrations of the liturgical year; in these cases the greatest care is to be taken so that the translation express the traditional Christological, typological and spiritual sense, and manifest the unity and the inter-relatedness of the two Testaments.[GILM 100-109] For this reason:
- a) it is advantageous to be guided by the Nova Vulgata wherever there is a need to choose, from among various possibilities [of translation], that one which is most suited for expressing the manner in which a text has traditionally been read and received within the Latin liturgical tradition;
- b) for the same purpose, other ancient versions of the Sacred Scriptures should also be consulted, such as the Greek version of the Old Testament commonly known as the “Septuagint”, which has been used by the Christian faithful from the earliest days of the Church;[Dei Verbum 22]
- c) in accordance with immemorial tradition, which indeed is already evident in the above-mentioned “Septuagint” version, the name of almighty God expressed by the Hebrew tetragrammaton (YHWH) and rendered in Latin by the word Dominus, is to be rendered into any given vernacular by a word equivalent in meaning.
Finally, translators are strongly encouraged to pay close attention to the history of interpretation that may be drawn from citations of biblical texts in the writings of the Fathers of the Church, and also from those biblical images more frequently found in Christian art and hymnody.
Interesting that imagery from the arts should also contribute to the effort to proclaim the Scriptures. Otherwise, we’re seeing the same theme of the previous sections that touted the Nova Vulgata.